About Melanie Horner
Melanie Horner has been playing with clay since childhood when at the tender age of 5, she wrote to Father Christmas to ask for a potters wheel! She would always be found playing in the mud outside, getting as dirty as possible. Whilst at secondary school, she was lucky enough to learn the skill of throwing on a potters wheel and a passion for this developed at age 12.
- Cancellations within 2 weeks will be refunded 50%. A cancellation within 48 hours will be refunded 25% unless you can find someone to fill your space
- No show, no refund will be given
- In Cobourg, the studio is located downstairs in the basement and a washroom is located on the main floor.
Although Melanie decided to pursue a career as a nurse, her interest in pottery never waned. As she has moved around, she has always managed to find her way to some clay! Various night school courses and workshops along the way have meant she has gained knowledge in the various aspects of pottery. Finally in 1995, Melanie bought her first potters wheel and housed it in her kitchen (not recommended!).
After making a clay impression of her son’s hand on his first birthday, the idea for First Impressions was born. So, in 2001 First Impressions opened it’s doors. There’s a huge satisfaction from capturing a moment in a child’s life and making it last forever!
Since moving to Canada from England in 2011, Melanie has decided to pursue her passion for pottery and set up Firing Time. Melanie has always enjoyed making clocks and she loves to have fun creating different designs and enjoys bringing a smile to someone’s face when they see a clock they like!
Over the passage of time, Melanie has delighted in sharing her knowledge and skills with others and in doing so hopes to spark an interest in this ancient but magical skill.
Melanie’s TV debut was through a Gift of Art. She was also featured on Durham Now in January 2015 demonstrating how to make a clock.
I currently work in white low fire earthenware clay. I made this decision because firstly I like the white background of the clay and secondly, I am cognizant of leaving as small a carbon footprint on our world as possible and a lot of my work doesn’t need to be high fired.
I prefer to create pottery both thrown and hand built with a contemporary look and mainly use underglazes to decorate my work. I enjoy the various effects that these give as they can be used in a painterly fashion, as transfers, layering, colour washes to name a few. Colour is very important to me and this is evident in my work.
I get excited by the endless possibilities of a piece of clay holds but also by the decoration techniques available too. It is something that I never tire of and am continually challenged by. I especially like to create one of a kind ceramic pieces and take commissions, I’ve never been great with repetition! Having fun with my pottery is important to me and I hope this shows through in my work and the lessons that I teach both in my studio and in the community.
Raku is another area of ceramics that I am currently exploring and developing my own style. It brings its own set of challenges.